Again, I love Kirby's Jimmy Olsen, but it's such a weird book to put him on, and it shows how little faith they had in Kirby while at the same time wanting him to give their universe a touch of that Marvel magic. Filtered by: Reset Filters. Chris Sims: Comics. So yes: Dracula was dead and buried. That’s right, folks: Not only is Down Set Fight is hitting shelves at finer comic book stores everywhere — and as Chad found out, you can pre-order it from Walmart’s website, which is weird … All that stuff that I used to do that was for kids, about cartoon characters with superpowers facing down weird situations, that wasn't mature. Incidentally, did you catch "pocket universe" in that last paragraph? Which is exactly what they did. Perez would come in a few years later to rebuild Wonder Woman, but in 86, those were the guys, and they could not have been more Marvel Comics. The same team that did that one, Denny O'Neil and Neal Adams (who had worked together before at, surprise, Marvel) would also produce some amazing Batman stories, but O'Neil would be given the assignment to reduce Superman's power, bringing him more in line with these flawed Marvel heroes. Well, if you're Stan Lee and Jack Kirby and you've been watching all this go down for the past 20 years, it's easy. Chris Sims and Chad Bowers wrote a four-issue limited series drawn by Scott Koblish. This wasn't limited to the Golden Age, either. And then you hit the '80s, and Operation Make DC More Like Marvel goes nuclear. Issue Rating. Peter Parker deals with campus riots over housing for low-income students, goes through hard economic times and watches Harry Osborn take acid in Amazing Spider-Man, so DC sends a space cop with a magic wishing ring and a Robin Hood cosplayer on a trip across the country because one of them didn't know racism existed and the other didn't know drugs existed, and the result is one of DC's most highly regarded stories. And while all that was going on, Marvel (or Atlas, or Timely, you know the drill by this point) was just sort of there, hanging out, trying to get things going. Jimmy was such a product of the Silver Age that he couldn't have existed as he did at any other time in comics history, but the second Kirby's on that book, there's no going back. Just don’t bring it to school. Again, even while Marvel became a success, DC was not exactly hurting at the time. All-New Guardians of the Galaxy Annual #1 6.8. Rhodey fills in as Iron Man, then becomes War Machine. While it would take them a while to finally acquire Captain Marvel, they got something more important out of it than the character. Sims has launched a couple of memes in his time, but he’s also launched a few webcomics, notably Awesome Hospital (with Chad Bowers, […] The longest-running column on the site is Ask Chris, written by Chris Sims, which has run on the site since 2010. If you’ve got a question you’d like to see Chris tackle in a future column, just send it to @theisb on Twitter with the hashtag #AskChris. Which we swear is worth readying we promise. Superman in particular had become an instant American icon, and even though Batman started off as a pretty blatant ripoff of the Shadow, it wasn't long before creators like Bill Finger, Sheldon Moldoff and Dick Sprang had forged him into his own character. Everyone remembers the grittier parts of Year One with the crooked cops, Catwoman as a dominatrix and the hard-boiled narrative, but at the end of the day (and the end of the fourth issue), that's a book that's steeped in optimism, where One Man Can Make A Difference and where Batman jumps off a bridge and catches a baby and survives. Okay, no, there's actually about 20ish if you count penciling "Santa Claus: Wanted Dead Or Alive" (which I do) or the recent stuff like Dark Knight Strikes Again and All Star Batman (which I don't), but really, those endlessly influential building blocks of modern Batman? It's a little early for a lot of people, but I'm of the mind that you can mark the end of the Silver Age and the start of the Bronze Age from the exact day that Jimmy Olsen #133 hits the stands. We hope to see you there! Chris Sims: It was something that we'd never really heard of. DC was focused on superheroes, and since they had the most popular superhero ever created, and the second most popular superhero ever created, and the third, and the fourth and the fifth, and Aquaman, what's the point of even trying to compete with them? Wayne Boring, Al Plastino, Curt Swan and Kurt Schaffenberger are all phenomenal artists (Schaffenberger is probably the most underrated and overlooked Superman artist of all time, and his work is flat-out gorgeous), but to a certain extent, their art all sort of looks the same. What follows is a decade of DC trying to play catch-up. FREE Delivery on orders over £10 for books or over £20 for other categories shipped by Amazon ), and like Dracula, it often leads to some pretty awesome stuff. The Action Age Comics Twice In A Lifetime World Tour 2014: Emerald City Comic Con In Seattle, Washington! No DRM, PDF or CBZ, 48 pages of all ages action adventure. Since you only had them for two years, why bother making more than two years worth of stories? I really wanted it to have a strange feeling of the retrofuturism of the original Legion and its Silver Age roots along with Batman’s darker, more modern aesthetic (there’s a lot of the Morrison run in this, for instance). Army of Darkness Vol. This is oversimplifying it a little, but what they couldn't outsell or outlast, they either bought or just flat out destroyed. They can be better, sure, but the way you make them better is by sitting down and asking "how can this be better," not by asking "how can this be more like that other thing?" This is The Other Problem, and it's why we have Identity Crisis and a Superman movie with no bright colors that ends with death. Chris Sims discusses what he calls The Problem: basically, that DC Comics has tried to be like Marvel for the past 50 years, with various results. So, what is "The Problem?" As always, Chad and I request gifts of Sun Drop™ citrus soda, since your bizarre “western” coast doesn’t have Bojangles. This is the key point, and it's the one that's glossed over to an almost maddening degree. Let's bring back Captain America!" But they don't do the one thing you'd expect them to do. Chronological Listing (by publication) ... Marvel Database is a FANDOM Comics Community. In 2011, Sims was featured on The Daily Show as part of a feature on the Batman comics series, credited as a ‘Batmanologist’. If there's that much good that results from it, then shouldn't it be, at worst, The Curious Affectation? The basic idea comes from two things: One, that the Legion of Superheroes is founded as a Superman spinoff, which means there’s a lot of Superman legacy stuff that shows up over the years, and there’s a lot of Flash stuff that shows up from XS, Impulse and the Tornado Twins, but there’s nothing in the Legion’s future that indicates a legacy for Batman. The idea they settled on was that there were heroes for a while, and then there weren't, and then Superman comes along and ushers us into a new age of heroes that's bigger and better than anything before. Big muscles, pouches, weird body proportions that just don’t work with real world physics. Meagan Damore Nov 11, 2015 "Mockingbird" Ongoing Series on the Way, "X-Men '92" Extended . Marvel.com is the source for Marvel comics, digital comics, comic strips, and more featuring Iron Man, Spider-Man, Hulk, X-Men and all your favorite superheroes. Temporarily out of stock. In the few interactions that I’ve had with Ms. D’Orazio, she has treated me far better than I would have if the situation was reversed. Chris Sims Real Name Chris Sims Employers Marvel; Oni Press; Dynamite Entertainment; monkeybrain Comics; Action Age Comics; Image; UDON; Boom! See more ideas about Chris sims, Sims, Chris. Two stories. And since I can only do one kind of thing, that is what I must do." This is not a plea for forgiveness, or a clean slate. A while back I wrote about Fantastic Four #50, and how the most surprising thing about it was that after raging for two issues, the Galactus story ends halfway through the book, and then it's off to visit Johnny at college to start up the next thing. Oh yeah, can’t forget about boobs and butts. If you find an issue in the database that is not shown here, please edit that issue adding "Chris Sims" as one of the writers. It creates this weird corporate schizophrenia where they want to look back at the high points of their past, but want them to be more Very Serious than they actually were. Since the matter of Sims versus D’Orazio became public knowledge on the modern, social-media oriented internet, there’s been a nigh-constant mosh pit devoted to the weighing of Sims’ soul. It's a great idea, and it's what led to books like Flash, where it was a primary theme, and in Green Lantern, a book that had die-hard fans who apparently weren't aware that having 3600 versions of a character means that he can be replaced, and even in the Batman titles, where Robin was the role that progressed as time went on. The twists and horrified reactions of the monster comics, the angsty, unrequited yearning of the romance books, and just bundle it all together in a book that doesn't look like anything else on the stands. X-Men '92 (Secret Wars: X-men) by Chris Sims Paperback £14.50. It’s not just us, either: SPG artist Erica Henderson will be there too, and my War Rocket Ajax partner Matt Wilson will be there on Saturday and Sunday (so if you want to collect your Movie Fighters Kickstarter rewards while you’re at the show, let Matt know via email before Thursday!) Some, like Chris Sims, theorize that the true beginning of a comic book is its first three pages, since the act of turning to the second page creates a two-page spread. It's a huge departure in style that's almost as jarring, and when you consider what comes after, it makes a lot of sense. Now, within a couple of years, Marvel -- or at least, the company that would become Marvel -- is there too, but not really. https://archive.today/ouqz5. Writer. Since that's still pretty fresh in everybody's mind, and since you were nice enough to set the ball right on the tee and hand me the bat, I might as well elaborate on that now. is almost hilarious in how much it's attempting to be Marvel. That's pretty great company to be in, folks. Cancel Save Sort. Jack Saff. It showed up once a year in Justice League for their annual crossover, but beyond that, it wasn't really used any more than any other plot device, unless you were, you know, Rascally Roy Thomas (another Marvel import who'd been EiC at the House of Ideas), who really, really loves the Golden Age characters. The degree to which they succeed really depends on where you set the goalposts, but I'd argue that they didn't quite get what they wanted. You get good stuff out of that, yes, but you also get Superman executing criminals and Extreme Justice, and that's the kind of thing we can do without. And if your local shop got a copy of Down Set Fight, snap a picture and send it to me. It's actually pretty simple. And the way they do it, the way they cultivate it, isn't just through the books themselves. It's my favorite event ever, partially because it's so quick (three 80-page giants illustrated by Todd McFarlane before he jumped ship and started drawing Spider-Man) and partially because there are so many good tie-ins, but when you get right down to it, INVASION! At the same time that they're restructuring their universe to be more like Marvel, they're also publishing the comics that will get them the most critical success that they will ever have, the ones that I don't even really need to identify by name because you all know where this is going, but I will anyway: Alan Moore and Dave Gibbons' Watchmen, Frank Miller's Dark Knight Returns and, just as importantly, Moore and Steven Bisette's Swamp Thing, among others. Personally, I think Wolfman was absolutely right. They were one continuing epic where each installment was fully built on the last, where nothing ever ended back at the status quo. When Quality went down for the count in 1956, for example, DC picked up Plastic Man, Blackhawk and a few other characters and dropped them right into their burgeoning universe. I can honestly say that these past ten years have made a lot of my dreams come true, and even though I’ve mostly migrated away from this particular piece of the Internet to places where I, you know, get paid, I’m glad that there are folks out there who have stuck with me. View My Complete Profile. Okay. Release Day! There's a lot of different qualifiers, but there's one answer I almost always give when I'm … It's one of the biggest and most persistent lies in the history of DC Comics, albeit one that ranks significantly lower than "Batman Created By Bob Kane.". Here’s to hoping for another ten that are even better! By all accounts, Mike Sekowsky was a treasure of a man and a consummate professional who could hit a deadline like a prize fighter, but his barrel-chested Justice League looks like a bunch of cardboard cutouts next to Steve Ditko's weird spindly limbs and twisted grimaces or John Romita's solid, romance novel cover models running around in Spider-Man. 8 appearances; Down Set Fight. Superman doesn't need to be anything else, he's already Superman, and the same goes for Batman, Wonder Woman, and the rest of those characters. A Year Of Marvels: The Unbeatable #1 7.8. That's certainly the book that got him and David Mazzucchelli the job redefining a vigilante for a crime-ridden urban sprawl. 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